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George Gruhn
If you bumped into a bearded, corduroy-jacketed George Gruhn in a Nashville coffee shop, you might think you’d stumbled upon an avuncular college professor...
Check This Action: “Pipeline” and Beyond
When a friend introduced me to Bob Spickard and Brian Carman of the Chantays about 40 years ago, I immediately pumped them with questions:...
Name that Twang
The fledgling Guild company scored a coup when it signed Johnny Smith to an endorsement deal in 1956. Perched atop the jazz-guitar scene at...
Duane Eddy
(Ed. Note: Duane Eddy was featured in the June ’95 issue of VG, following the release of his Twang Thang box-set anthology, which included...
Eight-String Basses
Emerging in ’60s catalogs from Hagström and Framus, eight-string basses occupy a distinct place among musical instruments – their potent, dense sound used to...
Fretprints: Mick Ralphs
Unabashedly British and irresistibly swaggering, Bad Company personified ’70s arena rock. Detractors denounced them as machismo, but fans have bought more than 40 million...
Pop ’N Hiss: Marshall Crenshaw’s Field Day
Marshall Crenshaw’s brief chart run remains a bright spot of 1980s rock – effectively, the final blast of New Wave before the genre was...
The (Way) Back Beat: A Pretty Girl is Like a Melody
Fretted-instrument advertising in the 20th century relied heavily on “glamor” or “cheesecake.”
Electric instruments and accessories, in particular, are still marketed to a primarily male...
The (Way) Back Beat: A Pretty Girl is Like a Melody
Last month, we began looking at some of the more entertaining fretted instrument advertising of the 20th century, in what could be loosely called...
Selwyn Birchwood
If you think the days of ferocious blues guitar are behind us, cue up Selwyn Birchwood’s latest, Exorcist. Within its grooves are blistering licks...