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Fretprints: John Abercrombie

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John Abercrombie operated in four dimensions. A guitarist of unbounded breadth and depth, he redefined space in long, improvised flights and bent time like...

Producer Dave Cobb Draws Artists of All Ilks

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Grandson of a Pentecostal minister, as a kid, Dave Cobb attended church every day, weaving old-time hymnal music into his DNA. Rather than constraining...

Don Wilson

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Don Wilson, co-founder and last remaining member of the Ventures’ “classic” lineup, died in his hometown of Tacoma, Washington, on January 22. He was...

The Story of Melobar

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Born in Northern California in 1920, Walt Smith took piano lessons and became a child prodigy on several instruments before developing a love of...

Samantha Fish

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Barely over 30, Samantha Fish already has more than a decade’s worth of writing and performing in life’s rearview mirror. Her new album, Faster,...

Slim Bryant

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Thomas Hoyt Bryant, known to family and friends as "Slim," met Perry Bechtel in Atlanta 1929. "I heard your record, 'Wabash Blues,' and I...

Eric Bibb

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It’s almost a curse to categorize a musician a “blues artist,” as it implies someone who simply plays standard I-IV-V chord progressions and variations....

Alligator Greats

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Anyone wondering why a young Bruce Iglauer was so impassioned about recording the raw, high-energy blues of Theodore Roosevelt “Hound Dog” Taylor can find...

Fretprints: Walter Becker

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Steely Dan to this day occupies a unique place in music history. Laying claim to an unexplored intersection of jazz, R&B, pop, rock, blues,...

Ray Benson

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“Why are you all playin’ that modern music?” Asleep at the Wheel guitarist Ray Benson fielded the question from Harry, a regular at the Sportsmen’s...
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