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Fretprints: Mick Ralphs
Unabashedly British and irresistibly swaggering, Bad Company personified ’70s arena rock. Detractors denounced them as machismo, but fans have bought more than 40 million...
1962 Premier E-727
One of the least un-derstood aspects of American guitar history is the role of musical instrument distributors. It’s one thing to be able to...
5150 Iconic Series 60-Watt 2×12
When Edward Van Halen released his 5150 head with Peavey in 1992, it quickly grew famous for its massive gain, tight compression, and ability...
Jo’ Buddy’s One Man Stomptet
Finnish guitarist Jussi Raulamo has led so many aggregations it’s hard to keep track. From Jo’ Buddy & Down Home King III to the...
Gallagher Bluegrass Bell
Pickers sure love to talk about their guitars, and more than a few will enthusiastically tell you about their favorite acoustic’s “bell-like” tone, describing...
Steve Lukather
Discussing his ninth solo album, Steve Lukather is a ball of energy – reflective, witty, ready with a joke. “I have the humor of...
Traynor YGM-4 Studio Mate
Vintage-amp bargain hunters often compare the quality and features of smaller Traynor combos to Fenders and those of the larger heads to Marshall. The...
Fretprints: Steve Khan
Steve Khan is an internationally acclaimed guitarist with a career spanning more than 50 years. Japan’s Jazz Life proclaimed him one of the 22...
VG Q&A: Odd Dots
In the mid ’60s, why did some Japanese electric-guitar manufacturers put the marker on the 10th fret rather than the ninth? – Joe Bigley
Very...
The (Way) Back Beat: A Pretty Girl is Like a Melody
Fretted-instrument advertising in the 20th century relied heavily on “glamor” or “cheesecake.”
Electric instruments and accessories, in particular, are still marketed to a primarily male...