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Artists
Joey Molland
The word “underrated” is belabored in music journalism, but Joey Molland was just that. As co-guitarist in Badfinger, he was part of a quartet signed to the Beatles’ Apple Records, yielding glorious AM hits like “Come and Get It,” “Day After Day,” and “No Matter What.” The foursome fell into obscurity and tragedy a few
Jared James Nichols’ glorious goldtop
Mods and pedals need not apply! Watch Jared James Nichols tear it up on “Dorothy,” his ’52 Gibson Les Paul, running straight into his Blackstar JJN20 signature amp. The guitar…
Uwe Kruger
Swiss Precision for Americana
Uwe Kruger’s professional musical career began at age 15, when he and his brother, Jens, left their small town home in Switzerland to busk in the cities of Europe. Quickly,…
Steve Cropper
Fired Up
When you think of guitar heroes, Steve Cropper may not be on top of the list. Not one for spangled capes or rhinestoned suits, he’s rarely played a screaming one-note…
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Duke Robillard – Lowdown
Vintage Guitar is happy to offer the premier of the new music video by Grammy nominee Duke Robillard. “Lowdown” is the first single from his upcoming album, Blast Off!, set for release February 20 on Nola Blue Records. “When thinking about a powerful song to launch the album, I chose a hard-rocking Tom Waits tune
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David Bowie’s Young Americans
David Bowie was always creatively restless. The English musician decided to step away from the glam rock he’d recorded for a few albums concluding with 1974’s Diamond Dogs, which included a few songs with tinges of soul, R&B, and funk. On tour promoting the album, he played a handful of soul covers. Bowie had long
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Fretprints: Cream’s Disraeli Gears
Supergroup Alpha
Jack Bruce claimed Cream was two bands – live trio and studio group. Live, bassist Bruce, guitarist Eric Clapton, and drummer Ginger Baker were renowned for their highly improvisatory, powerful performance that was unprecedented in rock. Moreover, they were actually a jazz group (“…we just didn’t tell Eric,” Bruce said), as exemplified by their excursions
Earl Slick
Zig Zag Back to the Top
Earl Slick landed his dream gig back in 1974, when a friend referred him for a gig with David Bowie, replacing Mick Ronson. During this period, Slick recorded three monumental…
Vivian Campbell
Back In Line
When singer Ronnie James Dio chose Belfast native Vivian Campbell to form Dio in 1982, the young guitarist was filling big shoes in the eyes of his new boss, who’d…
Del Casher
“Papa of the Wah-Wah” Marks Its 50 Years
The wah pedal is one of the most widely used effects in popular music, employed by artists playing rock, blues, funk, disco, and other genres. One of the most expressive…
Steve Lukather
Solid-Gold Guitar Slinger
Photo: Rick Gould. He’s a chops monster – the epitome of taste and understatement. An international pop star and a hard-rocking muso. A gifted songwriter and arranger, in a career…
The Pixies
Alternative Godfathers
In the late 1980s, the Pixies’ unique brand of punk, pop, and guitar rock almost singlehandedly created the alternative music movement that flourished in the early ’90s. Its sound served…
Rick Vito’s Tale Of Two Grails
Find of a Lifetime
Whether it was by watching “Bandstand” on TV or learning the licks of Duane Eddy, Chuck Berry, or the Ventures, Philadelphia native Rick Vito’s inspirations are all legendary. And as…
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Check This Action: Up Jumped Elmore
When someone recently asked me to recommend the most essential Elmore James album, I answered, “Any and all.” I’ve never heard a bad Elmore cut, and I’ve heard nearly everything he recorded. Everybody knows that he set the standard for slide guitar in electric blues, but he was also a fantastic singer and wrote some
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Javier Batiz
Mexican guitarist Javier Batiz, a teacher and inspiration to Carlos Santana and other musicians, passed away December 14 at his home in Tijuana, Baja California. He was 80. Known as the “Godfather of Mexican Rock,” “La Layenda” (The Legend) and other sobriquets, Batiz came to appreciate American blues guitarists such as B.B. King and John
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Josh Meader
Jazz Evolution
Josh Meader is a jazz and fusion player who breaks ground with virtuosity that’s never flashy for its own sake. On his new album, Tide of Times, the young Aussie ace blends styles on a dime, hybridizing music before our eyes; videos online include an especially stunning non-album rendition of “Misty.” It’s fascinating, seeing Meader
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Chris Walz
Debut, Long Time Coming
Chris Walz has done his share of performing. He played young Woody in the stage production of Woody Guthrie’s American Song. From the late ’90s to 2001, Walz toured and recorded with banjo player Greg Cahill’s Special Consensus bluegrass band. And for 10 years he took the role of guitarist Fred Hellerman in Weavermania, a
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Greg Koch
Way Of The Gristle
On Blues, Greg Koch reaches the outskirts of infinity with an album that showcases his wicked guitar skills and love for Muddy Waters. Flying V blues master Larry McCray drops by with the Memphis Horns, and the result is a passionate pentatonic party with soul and fireworks. How did this album come about?Devon Allman had
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Rik Emmett
Canadian Custom
Rik Emmett is a master of many guitar styles and other artistic endeavors. As co-lead vocalist/guitarist in the hard-rock trio Triumph from 1975 to ’88, he experienced life as a rock star, then released a string of solo albums, a book of poetry, and an autobiography. His latest project, Ten Telecaster Tales, is a book
Tom Feldmann
Delta Blues DeLuxe
Tom Feldmann burst out of Minneapolis with an authentic take on acoustic blues unlike anything heard in years. Gifted with fine slide and fingerstyle chops, he also possesses a strong,…
Grant Geissman
Jazz-Rock Renaissance
’70s culture may have provided a target-rich environment for parodied depictions of giant Afros, bell-bottom jeans, and Saturday Night Fever, but anyone who was alive then remembers Chuck Mangione’s Feels…
Samantha Fish: Slide-Blues Fury!
“I’m Done Runnin’” on a D-18 VG readers know Samantha Fish is the real deal. Here, she uses a Martin D-18 Modern Deluxe on an unplugged arrangement of “I’m Done…
Honkytonk Homage
Guitars Venerate Bakersfield Landmark
Country-music fans familiar with the history of Bakersfield, California, know of Trout’s nightclub. The last of the venues that gave birth to the “Bakersfield sound” epitomized by the twang of…
Jeff Kollman
Validating Versatiltiy
A perusal of guitarist Jeff Kollman’s resumé forces a double take. Alongside decades of studio work and live gigs with artists like Chris Isaak, Lou Gramm, and Glenn Hughes are…
Richie Furay
Back in the Country
Richie Furay’s new album, In the Country, began with an invitation from a friend, Val Garay. Revered for his work producing Linda Ronstadt, Bonnie Raitt, Kim Carnes, James Taylor, and…
Pop ’N Hiss: Thin Lizzy’s Jailbreak
Fight Or Fall
At the dawn of 1976, Thin Lizzy was in trouble. Neither of the quartet’s previous two studio albums, Nightlife and Fighting, had sold well. With pressure mounting from Vertigo Records,…
Steve Winwood
Voice of a Guitar Great
It would seem contradictory to describe someone as both underrated and a virtuoso, but such is the case with Steve Winwood, particularly regarding his guitar playing. • The reaction of…
Fretprints: Hiram Bullock
Dangerously Funky Fusioneer
In the sonic constellation orbiting jazz-rock, Hiram Bullock traveled a separate trajectory. His work on “Angela,” the theme for “Taxi,” was heard weekly by the masses. A member of the…
Phil Collen
A Rock Cat Plays the Blues
In the eyes of many, there’s quite a difference between arena rock and blues rock. But not to Phil Collen, guitarist for one of the biggest acts in the former…
Marshall JMP50 “Plexi”
Kids wanna rock? Plug into your plexi and bow to the mighty crunch. Marshall amps of the company’s first 10 years are interesting for having thrown up classics of different…
Rich Fifield
Rich Fifield, guitarist in the ‘60s surf band The Astronauts, died November 16. He was 78. Formed in 1956 as The Stormtroupers by four high school friends in Boulder, Colorado,…
Craig Ross
Rock and Roll, Alive and Well
Craig Ross is an integral part of the Lenny Kravitz sound. As lead guitarist and songwriting collaborator since the early ’90s, Ross has forged an impressive body of work alongside…
Jon Butcher’s psychedelia mastery
Jon Butcher tales his Olympic White ’63 Strat for a rip on “Jam,” a track from his new album, “Nuthin’ but Soul.” The disc is an homage to sounds of…
B.J. Baartmans shares his “Cabin Fever”
The Space Age Travellers: Eclectic Instro B.J. Baartmans’ trio, The Space Age Travellers, defies genre labelling. Here, he uses his ’73 Fender Strat (tuned down a full step) with a…
Ray Cummins – I’ll See You In My Dreams
Ray Cummins Plays the 1956 Gretsch Chet Atkins 6120 prototype “Dark Eyes” VG ace online tutor Ray Cummins uses the famed ’56 Gretsch Chet Atkins 6120 prototype to play “I’ll…
Gibson’s “SG” Les Paul
Classic Shape That Filled Big Shoes
In 1961, Gibson replaced the single-cutaway Les Paul with a new line of lighter, thinner, mahogany double-cut solidbodies. Developed under the aegis of Ted McCarty and introduced as the “new…
Scott Henderson
Vibe Station
On his new album, Vibe Station, Scott Henderson once again redefines fusion within a groove-heavy power trio format. As always, the blues informs his jazz-rock workouts with virtuosic jabs of…
Andy Powell
Setting the Record Straight
Wishbone Ash founder/guitarist Andy Powell has a new term for his resumé – “author.” Abetted by Colin Harper, he recently created Eyes Wide Open: True Tales of a Wishbone Ash…
Pop ’N Hiss: Wishbone Ash’s Argus
Twin-Lead Loadstone
Founded in 1969, Wishbone Ash attained fast fame in the U.K. with its meshing of intricate twin-lead-guitar passages and harmony vocals. With their third album, Argus, Andy Powell and Ted…
Fretprints: Dave Grohl
Beyond Grunge
“Alternative rock” – more descriptor than genre – was a reaction to hair bands, technical excess, and pop-metal formulae. It was the sound of the pendulum swinging the other way.…
