Guitarist Rob McNelley keeps the mood appropriately blue, and most cuts feature Dennis Taylor on sax. Whether it’s the rollicking Chicago blues of the title track, the New-Orleans-influenced “Evangeline,” the Texas blues sound of “Bad Case of Love,” or a Kansas City jump-style cut, the fleet-fingered Maher delivers in spades on arguably his strongest album. The music is mature, gutsy, and experienced.
This article originally appeared in VG‘s May. ’11 issue. All copyrights are by the author and Vintage Guitar magazine. Unauthorized replication or use is strictly prohibited.