Bibb is a fine guitarist and singer, and here proves a very capable songwriter. It’s hard to pin him down – you could call him a folk singer, but his blues and pop roots always show through in his performances and writing. His 12-string fingerpicking sets the tone for songs like “Tall Cotton,” with a fine electric-guitar solo courtesy of Kahanga Dekula. Eric plugs in to add color to “Destiny Blues,” a Chicago-style blues with fine acoustic and harmonica by Bibb. It’s also a showcase for his fine vocal chops.

Bibb’s acoustic playing shines all over the record, and guests like Martin Simpson add flavor to several songs. One thing I really like about this record is the way it all holds together without sounding the same. “So Glad” has almost-jazzy changes while other songs, like “In My Father’s House,” are funky acoustic rockers. On pretty much every cut, Bibb’s vocals are soulful and on-the-money.

Records that give off a folk aura can be scary, but this one sails on great performances and fine songwriting.