Also entertaining are accounts of Mascis’ first Jazzmaster purchase (from “Slimy Bob’s Guitar Ripoff”), his pedals and amps, and contemporary guitarists’ reactions to him and the band. “What J was the first to do was turn his amp full up and position it right behind his vocal mic,” says Bob Mould, a man who knows a thing or two about volume. “Then every time he moved his head just half an inch to either side, you’d think you were hearing guitars for the rest of your life.”
Available in limited quantities, including a “signature edition” with facsimile tour diaries, this is a fantastic chronicle of an influential band and an often overlooked guitarist.
This article originally appeared in VG‘s January. ’13 issue. All copyrights are by the author and Vintage Guitar magazine. Unauthorized replication or use is strictly prohibited.