The opener, “Tomorrow’s Another Night,” kicks in with the kind of harmonized vocals that dominated the first couple of Outlaws records from the 1970s. The a capella vocals give way to churning rhythm guitars and a tough melodic solo part that eventually finds Paul and Crain playing a harmonized guitar part. That formula works beautifully again and again on the record as the two guitarists display a perfect chemistry.
The Outlaws were introduced for years as “Florida’s Rock and Roll Guitar Army,” and fans won’t be disappointed today. From the stomping country tradeoff licks of “Hidin’ Out In Tennessee” to the stinging guitars of “The Flame,” there’s lots of playing going on.
Lyrically, many of the songs talk about the history of the band and the obvious rebirth. Vocally, Paul dominates the proceedings, singing most of the songs in a voice that is instantly familiar for the band’s original fans. In fact, songs Paul doesn’t sing don’t have the same zip.
It’s About Pride will go down as one of the surprise records of the year. Thomasson and Jones must be looking down and smiling happily at what their old pals have put together.
This article originally appeared in VG‘s Jan. ’13 issue. All copyrights are by the author and Vintage Guitar magazine. Unauthorized replication or use is strictly prohibited.